With this entry, I am opening a new series of entries and also Youtube-videos. In these entries, I don’t care too much about the camera or film, but rather focus on composition and my thoughts behind the choice of location or film in regards to what I wanted to achieve. Everything is allowed in these entries, regardless of price of camera. And yes, obviously I will still have some entries in the old manner too.
For the kick-off of my new series, I chose one of my favorite cameras. My Hasselblad 500c, which not by any means is a cheap camera. I love shooting square format, and the Hasselblad along with my Ikoflex are to me the most inspiring cameras I own. There could be something with the waist-level finder that just makes everything look very lively and nice and makes composition very easy.
My location for this outing is the site of an old derelict saw-mill just north of Gjøvik. Back in the day, this was a very active saw-mill with close proximity to the lake and easy access for boat-cargo on the lake. There are still a lot of poles and marks in the shallow water after extensive log-driving on Mjøsa.
Log-driving was a dangerous job and many log drivers would drown while working on floating timber. Sometimes, workers had to do the dangerous maneuver of loosening up jammed logs using a pike-pole. To utilize this tool, they had to walk on the floating logs, and sometimes, they either were hurt when the jam broke up, i.e. being crushed, or they could stamp on a loose log and fall unto the water and get stuck in the water under the massive amount of logs.
In honor of the history of these brave workers, I decided to go with a somewhat gloomy look to these images. To me, gloom means additional grain and a rather «grey» palette. A film I have often had issues with being too grainy or gloomy for my taste is the Bergger Pancro 400. I have used this film just a few times, and I still have some lying around in the freezer. I thawed up one of them and went for this choice.
It turned out better than I expected, and this film might just be perfect for this kind of shooting. A few pieces of reflection though are the following:
- Be very precise when exposing Pancro 400 as it handles underexposure extremely poorly and easily loses the highlights. I tries my best to nail my exposures dead on, and did reasonably well until my lightmeter decided to produce a flat battery. After that I had to rely on a simple app on my phone, which surprisingly worked rather well.
- Take your time with this film. I have tried different development cycles for this film, but this is by far my best results with it. I often shy away from very long development times of more than 12 minutes if possible, but to me, it seems like the results with Pancro400 gets better the longer you develop. This process in Adox Atomal 49 1+1 took 23 minutes.
- Fix for more than the double time of what you would normally do. As in the previous point. Time is gold with this film. I fixed this one in fresh fixer for 12 minutes, double the time recommended by Bergger, and that seems to give clean negatives. Anything gives harsher grain due to remaining emulsion I guess?
- Use it for its potential of making moody and gloomy shots. This is not an «everyday happy snappy film». You have to work with its strengths.
From my research online, I find that the sawmill was active until the early eighties. I cannot guarantee my accuracy here, but it was defunct before the nineties. In 1994, Lillehammer hosted the Winter Olympics, and the old sawmill was being restored, the goal being it becoming a restaurant. Situated along the road between two venue-towns, Lillehammer and Gjøvik, the location was ideal.
During its restoration, something happened and the old sawmill house caught fire and burned to the ground on Friday the fourth of June 1993. The fire started in the old chip-silo and quickly spread resulting in devastating damage with fire-fighters unable to over-win the fire. Today, only the foundation walls are left, and is what you can see photographed in some of these images.
For me, this location has some personal value. My grandfather used to work in this place as a lorry-driver for many years, and when walking around, I can still hear his voice takling about all the interesting and struggle some days they had at work in this old sawmill. What was important for me in this outing, was to capture the mood of the place in regards to its history and how it is a symbol of a very decentralized way of structuring agriculture. And maybe most important, how we still have some remains of a very active workplace in a very smack little settlement.
I hope you enjoyed reading this entry, and that you can catch the mood I am trying to convey through them. I would also love hearing your thoughts about Bergger Pancro400 and if you have different or supporting experiences.